
Keynote speaker at Transplanted Roots
Percussion symposium in Porto https://www.transplantedroots.org/
Percussion symposium in Porto https://www.transplantedroots.org/
Deichman Bjørvika, nyMusikk, Ultima Festival: https://www.ultima.no/en/festival-2025-cassettes-100
World premiere of new double concerto by Henrik Hellstenius, with Ellen Ugelvik, piano.
nylyd, Skien, Norway. Program including works by Peter Ablinger, Raven Chacon, John Cage, Kelley Sheehan, Guoste Tamulynaite, Øyvind Torvund
Pinquins play Lasse Marhaug Almost Everything at L’instant chavirés, Paris.
Solo (9 Bells by Tom Johnson) and Pinquins (Almost Everything by Marhaug) at riverrun Festival, Albi France.
Banshee by Signe Emmeluth at Berlin Jazz, with Signe Emmeluth, Guro Moe, Maja S.K. Ratkje, Heida Mobeck, Guoste Tamulynaite, Anne Efternøler, Jennifer Torrence
New work by Rob Durnin. www.robdurnin.com
For Jen Torrence (2025), by Kari Watson, at MINU
Pinquins + Marina Poleukhina at Platous gate 18, Oslo
https://mariamrezaei.bandcamp.com/
Pinquins present Skyggespill (Sørlien Holen) and solo presentation of 9 Bells (Tom Johnson) at Kalv Festivalen https://kalvfestival.se/wp/
For Jennifer Torrence, commissioned as part of their Kranichsteiner prize, by Kari Watson, and FEED by Kelley Watson, both premieres at Darmstadt
Tutoring percussion and premiering works by Clara Iannotta and Kari Watson
https://www.youtube.com/watch?v=ZKcxmB-9uwA
Tutors: Simon Løffler and Jennifer Torrence
This course of co-creative processes, “laboratory of not-knowing”, 1. – 6.7.2025 is open for composers, musicians, composer-performers, and other artists working with sound / silence / performance. The course language is English. Applicants should be born after 1.7.1990.
The course is a participant-led space to experiment with each other in the development of ideas/materials/works. Participants are encouraged not to bring finished work, but rather ideas and approaches that can be developed and experimented with during the week-long course. The course will proceed through collective decision-making based on the emergence of materials and collaborative constellations.
The course will mainly involve group work and individual preparation, however one-on-one discussions with the tutors will be possible throughout.
At the end of the course there will be a public performance by the course participants as part of the Time of Music Festival 2025. The format of this presentation is open and can include finished works, works-in-progress, demonstration of process, and other modes of sharing.
Premiere of a new work for public space, at Momentum 13
CAKE is dancers Orfee Schuijt, Ingrid Haakstad, and musician Jennifer Torrence
Nine Bells and teaching at Bodø Beat, Norway
Works by Sheehan, Chacon, Glojnaric, and Torvund
Works by Henrik Hellstenius and more. With Nordic Voices and Ellen Ugelvik
solo works by Coates, Hartman, Zimmerman
BBC Glasgow plays Øyvind Torvund at Tectonics Festival, conducted by Ilan Volkov
new work by Torrence/Abrahamsen Garner, new works performed by Aksiom ensemble, and new work by Henrik Hellstenius performed by Alpaca
www.onlyconnect.no
Battery by Weston Olencki at Notre Dame
Pinquins play Sheehan, Chacon, Cage, and Torvund
Tiled Air, for solo percussionist and 26 microtonal tiles, by Øyvind Mæland at KunstStallen
Aksiom plays Larm by Jo David Meyer Lysne
Niklas Adam/Jennifer Torrence duo At Nitja Kunstsenter, curated by Hanan Benamar
Pinquins/Alm Eriksen present INTERVALL at MINU Festival for expanded music
Tom Johnson Nine Bells performed at VANG.Músicas en vanguardia at Centrocentro, Madrid.
solo at Faktor K https://kaznice.art/projekty/faktor-k/
Pinquins play Almost Everything, Lasse Marhaug
Ensemble This Ensemble That @ Venice Biennale, playing Le Noir de L’Etoile, by Girard Grisey, L’Etoile